The Handmaid's Tale Season 6 Episode 8 Review: Exodus

The Handmaid's Tale Season 6 Episode 8 Review: Exodus

Had my want for a marriage melee been granted, in fact, June and Moira’s troopers wouldn’t at the moment be working to freedom, they’d be slumped limply within the bucket of an industrial digger as their our bodies have been tipped right into a mass grave after being gunned down like the ladies on the Penthouse. This was the higher plan. 

It was a greater episode too from director Daina Reid and author Yahlin Chang, than the one I’d initially hoped to see – much less visceral however no much less rousing, and constructed round two pivotal character moments which have been a very long time within the coming. Aunt Lydia lastly stopped barking bible verses and accepted her place on the incorrect aspect of historical past. And in spite of everything that pursed lip equivocation about her derailed social experiment, Serena lastly received it proper: there’s no such factor as a very good man who’s additionally a Gilead commander. (*8*) existence of 1 precludes the opposite. Now she’s proper again the place she began the season, on the run with a babe-in-arms. 

Lydia’s capitulation was the headline act, and acted like a dream by Ann Dowd. June appealed to her religion, Janine appealed to her unsettling maternal obsession along with her “particular woman”, and between them, they received the job executed. Each suppressed twitch of Lydia’s eye through the years at an act of cruelty or abuse from a commander to her ladies added as much as her lastly acknowledging that Gilead was not God’s approach. She’s all the time seen herself because the Handmaids’ saviour slightly than their jail guard. Now, by not standing in the way in which of their escape, she will nearly justify being referred to as each.

“Exodus” was minutely targeted as a narrative. (*8*) telephone name acquired by Commander Bell apart, there was no sense of the broader assault on Gilead or whether or not Luke’s bombs had detonated and Mark’s troops had pushed over the border. It was nearly all contained inside that royal-scale marriage ceremony. (A quiet phrase on style, Serena: even Harry and Meghan would have balked at wheeling in a cake so outsized that the majority of this present’s solid may have jumped out of it doing the can-can.)

Serena didn’t maintain again on the staging. Chandeliers, thrones, pennants… Queen of Gilead was about proper. She definitely addressed her topics with royal condescension. Like a college counsellor sitting backwards on a chair, Serena was making an attempt so arduous but getting it so incorrect. Her tackle to the Handmaids wasn’t only a second of high-tension whereas June tried to cover among the many crowd, it was nearly a cringe-comedy scene out of (*6*)(*8*) Workplace. She self-importantly assumed that Lawrence was jumpy as a result of he feared the lack of her invaluable collaboration post-marriage. In actuality, Lawrence’s nerves have been our personal. Pressured to take a seat properly by the ceremony, dinner and speeches, he was ready for revolution.  

And revolution got here, on this present’s managed, symmetrical, Kubrickian signature model. With highly effective writing and classy imagery, the Boston Handmaids have revolted and it seems like the start of the top for Gilead. That closing monologue from June as the ladies ran out of the Purple Middle and into the snow may simply have closed out this entire collection, however for the truth that we now have two episodes nonetheless to go, and Hannah nonetheless to seek out.